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Once again whilst distilling I was reminded of the importance of a good lute. That is, the stuff that serves to hold the glassware together, forming a strong and impervious seal. Various recipes are given, depending on the circumstances and author. John of Rupescissa suggested paper, egg white and fine flour, which works nicely, especially with modern ground glass joints when making the quintessence of alcohol.

I wrote about lute a couple of years ago:

https://distillatio.wordpress.com/2013/09/24/the-lute-of-wisdom/#more-329

The obvious point is that the lute for glassware involves egg whites and stuff to hold them together, usually a mix of organic and sometimes inorganic stuff. The net result can be like this:

 

 

Lute at alembic and serpent

Which is egg white, fine flour and fine linen. It is not exposed to any temperature above 100C, but that is certainly enough to start cooking the egg and flour, which just so happens to make something a bit bready that expands slightly and seals any gaps. It also has the advantage of being easy to put in place, because it is soft and squishy. It certainly works and prevents the dangerous and irritating loss of the substances being distilled.

In fact that makes me wonder when it went out of use. So, off to the old chemistry textbooks!

(Fortunately I collected a lot of scanned ones from archive.org a few years ago when researching a few things)

In the 10th edition of Griffin’s Chemical Recreations, from 1860, mention is made on page 180 of the old use of cork and cement, prior to the invention of cork borers and caoutchouc-tubes.

Various other textbooks don’t really go into practical chemistry at all.

So a question that will take a lot longer to answer than I had hoped.

Anyway, here’s another picture, this time showing my new serpent in action:

New serpent in action

There’s over 3 feet of glass tubing here, which is just enough for the distillate to cool down and drip out of the end rather than rushing out as vapour, which was always a problem I had before. Note the coloured fabric, which is offcuts from my various re-enactment clothings, which are soaked with water. These hold the water close to the warm glass, which then heats them up and the water evaporates, helping cool the glass and then the vapour within it. You can even see steam rising from the cloths, although not in this photo.

 

 

 

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